Showing posts with label dan. Show all posts
Showing posts with label dan. Show all posts

Friday, 3 January 2014

New Reeds!

Yo! Short update on the new brand of reeds I'm now totally digging. After years of being a Vandoren convert and playing on the standard blue packets, I then discovered the different flavours like ZZ, V16 and Java. I loved each type for a fair time until discovering the next. 

V16's were brilliant and powerful, but lacked finesse. The ZZ's produced a lovely tone but gave me less power and I'd find they were blown out after a couple of particularly lively funk shows. The original Green Java's were the first variation I tried and I must admit I was never truly taken with them. They played a bit harder than the vanilla version, but nothing really leapt out. 

However I saw the Java Reds on Reeds-Direct.co.uk and gave them a go. They have an amazing balance of power and finesse, being great for both hard funk and smooth jazz. They bed in and warm up quickly, but like all reeds you do get some duds in the box. At the moment of writing on average 1 or 2 per box of 5 warp the minute they're wetted or are woolly sounding, but the rest are sharp and clear. 

I play these at 2.5 on my Series II Selmer Tenor and plan to replace the ZZ's I'm running on my other horns when I run out.

Go well, 

Dan
@frame_boy 

Saturday, 9 November 2013

In Ear Monitor Review pt2

So after a good while of using the system, I feel I can give a decent account of performing with it.  To recap, it's the LD Systems MEI One wireless UHF In Ear Monitor I bought second hand from Gumtree. I wont include pictures to save space. Just refer to the previous post for those.

Setting up during soundcheck is easy. The Mackie DL1608 our regular sound engineer uses is easy to work with and with the sender unit set to mono, all it takes is a 1/4" jack to jack from aux to left input and that end of things is ready once plugged into the mains and the arial screwed in. Only problem is that if the stage power goes down (which happens an unfortunate amount on outdoor stages) then the unit needs to be turned back on again. This is no big problem, but if you or the engineer don't realise it can lead to a confusing bit of trouble shooting.

The belt pack takes 2 AA batteries and is pretty good for consumption. Averaging about 4 x 2 hour shows before showing signs of death. There's a LED onboard to let you know you're running low so keep a spare pair in the box! The pack is light and has a belt clip, no more bulky than any of the others I've seen. The only problem with this is that the rubber volume knob on top seems to catch on my clothes occasionally and turn the volume down which is a mild irritation! Other than that, the rest is all good and I've not had any signal dropouts, lag or poor sound.

Ear buds however are another story. Whether the drummer I bought the kit from ran them at high volumes (don't worry, I did clean them thoroughly,) or whether they sounded like they do out of the box I'm not sure, but they aren't the best sounding examples. The top end lacks some crispness and the bass power isn't great either. They can pump out the volume for definite and you can hear what you need to over even the most ridiculous of stage sounds, but you're not going to get the delicate highs and lows.  I've tried them on other devices and they do still sound the same.  Still, the isolation is good and I come away from shows without ringing ears and having had a damned good monitor sound. Most irritating however is the fitting. The driver housings are metal and this means weighty, which means quality right? Fine, but when the ends are the same kind of rubber that the cheap high-street buds use, you find them falling out mid-performance at the mere hint of sweat or movement.

So, the supplied buds are fine, but if and when I have a spare £300-500 I'll definitely be looking at the Shure SE range. I've heard nothing but good things about them from session players and with 3 drivers per ear and an over ear fitment on the 535 model (Pictured) I believe this will make the whole system work on a par with the Sennheiser units still for a much lower price overall.

To finish, the iPhone compatibility with the Mackie sound system via the Mackie app allows me to manage my own monitor mix live. We've had a few teething troubles with mismatched updates between devices, but overall it's been fantastic as no-one is better suited to getting the mix I want than me and avoids the usual back and forth for fine tuning.

I'm definitely enjoying the fact I'm getting the mix I want when I want and protecting my hearing at the same time. Band mates occasionally say they feel I'm more isolated with them in, but I think it's something to get used to and learn to work with as my ears are important to me. Happy hearing!

Dan
@frame_boy

Friday, 2 December 2011

Releases!

Finally some tunage out and about! I've been waiting to see these come to fruition for a while now, but here they are...

First is a slim EP released by the Jag Harps written by Graham Rutherford. Simon 'Peacekid' Dobson and myself provided some brass on this and it sounds lovely. There's talk of touring it and adding some more tunes so here's hoping! It's called Theta Waves, check it out and buy it here.


Next up is a full album by the Seahawks called Invisible Sunrise. Its's spacey as hell and clearly making some people very happy as it's apparently hit number 29 in Rough Cut Records album charts. I'm credited with wielding the 'space horn' on there due to the crazy effects we were working with, but it's sounding great! You can listen and buy it on iTunes here.





Also played on an album in production for a folk singer called Mr Paddy. Nice sounding stuff that I'll hopfully be able to demo soon.

Lastly, few more of my own up on www.soudcloud.com.dan-hillman and I've got some vocal talent coming in soon to lay their skills down!

Hope you like,

Take care,

Dan.

Tuesday, 1 November 2011

Videos ahoy!

Yo readers of the lost ark, here be some videos I done made of me done making music a few days ago. Your life will never be the same after watching me parp around on a baritone sax or show you my lovely samples that I tooted and thusly plonked.

I've been looking to merge my love of electronic tinkering and saxy good times for a while and came up with recording a harmonised line and mashing it about a bit to come up with new ideas. Checkum out here:


Also here's me recording the baritone sax solo in my new offering to the world. It's nice and jazzy and I thought it was a pretty good first take so I kept it and uploaded it. Videoing recording sessions is a great way for me to keep a record of what I've been up to, demo my skills and show you that there still remains a live element to my music even through the veil of electromagic. Go forth and watch:


I hope that was worth a few minutes of your life, come back next time!

D.

Monday, 31 October 2011

Taking tablets and doing art...

I bought myself a present last week for being such a good boy. It's an A6 rectangle of lovely that is the Bamboo Pen & Touch tablet. I can honestly say that it's the most awesome replacement for a mouse the world has ever seen. Not only is it completely battery free, but the tablet canvas can relate to the proportions of the screen letting you pinpoint accurately where you want to draw/click/whatever and of course if that doesn't do it for you, you can always switch to the multitouch interface instead. Mmmmm gestures....

Anyway, to get to the point I've been drawing. In an attempt to keep misery at bay for the remaining two weeks of my good lady's 3 months in India I had a go at sketching a side profile and giving it some digital wizardry. This one was heavily inspired by Diego Fernandez who has far greater skills than I. Still, the Red Baroness seems to like it and that's the main thing. I'll hopefully keep getting better as I get more comfortable with using the tablet, more to come!



Peace,

D.

Wednesday, 26 October 2011

I've been keeping busy over the past month as I hope the picture (insert) suggests. The life of a wandering minstrel is never a steady one, but as the funk has dipped slightly, other things have peaked.

Monday nights are now spent keeping a finger to the pulse of the student population at Mosaic in Exeter by playing sax to funky house beats courtesy of 4Play Events. It appears that as the weeks go by I bear witness to more and more of the weird and wonderful. After a few sessions getting the feel of the place and putting up with the tedium of in-house engineers wanting to crank every piece of gear to the point of redline I arrive one time to see the entire ground floor covered in turf (yes, really) and another to see snake charmers plying the crowd with their serpentine friends! I'm intrigued to see what's next....

As far as my own music goes, I've been getting my teeth into dubstep in a big way having decided to remix a chilled electronic tune I've been producing with a local singer/songwriter. It looks like the cheeky, wobbly bastard child of UK garage has fallen from favour amongst the punters, but that makes it all the more appealing to me. I've been forced to learn so much about music production in this short space of time and there are so many concepts to get my head around. I also have a couple of Cinematic Orchestra inspired light jazzy tracks almost ready to go apart from needing some soul vocal samples laid down. I've had some interest from a video producer looking for soundtracks, but I'm currently waiting for more info on that one. Check my Soundcloud for more of my work.

In other news The Seahawks album I've been working on has been for trial pressings, the artwork is done thanks to the same dude who does the Super Furry's stuff and a boatload of remixes are already in the pipes. Can't wait to get my hands on a copy!

Lastly, Graham Rutherford, the jazzy swine who dragged me to Bristol to jam on a few of his tracks a few moons ago has been in the studio for the last day mixing the album down. Got a call this morning asking for some last minute additions to a tune in the vein of David McCallum's track 'The Edge'. Some big dark woodwind chords and flute tooting to top it off. I recorded a video of my first go at tacking down some lead stuff on soprano sax to get a feel for what it needed which can be seen here on Vimeo:


That's all for now, take care,

Dan.